Thursday, February 12, 2015

Thursday, February 12th--1:45 pm

Greetings,
below you will find the two handouts from yesterday's class:
1. Out of Class Essay Assignment #1
2. Viewing a Documentary Film


English 5, Spring 2015
Instructor: C. Fraga
Out of Class Essay Assignment #1--200 points possible

Assigned:  Wednesday, February 11
Rough Draft Due (optional) no later than: Wednesday, February 18 (typed, MLA format)
Final Draft Due: Friday, February 27
REMINDER: IF YOU CHOOSE TO SUBMIT A ROUGH DRAFT, THEN YOU MAY REVISE THE ESSAY ONCE YOU RECEIVE YOUR GRADE, AS MANY TIMES AS YOU WISH.

Reminders:
·      Please underline your thesis statement.
·      Please attach your rough draft to the back of your final draft when submitting.
·      This essay must follow MLA format for the set-up of your essay. No Works Cited page is required since you will not be conducting any outside research for this essay.

THE SIGNIFICANCE OF HOME
Essay Prompt: This essay asks you to employ your narrative, descriptive and analytical writing skills.

Consider your childhood and write about a place where you felt most comfortable, safe, happy and content. This place COULD be your actual house, or a room in your house, but it could be ANYWHERE. (your grandparents’ home; the school yard; the playground at a neighborhood park; Little League games; dance class; the tree house your dad built for you, etc.)

Your essay must include a detailed description of this place and the story of this place—what happened here? Why did this place bring a sense of comfort and safety and enjoyment to you? What did you do when you were at this place? And finally, why do you think it was so significant and memorable for you? Looking back, does this place in any way reflect or symbolize or help define who you are today? Why or why not? Be specific.

Your goal is for the reader to actually SEE this place and UNDERSTAND its importance and effect on you as a young child. Perhaps the reader will also get a sense of your personality, sensibility and passions.

FOR THE PURPOSE OF THIS ESSAY ONLY, I AM ASKING YOU TO ORGANIZE IT IN A CERTAIN WAY—NARRATIVE FOLLOWED BY ANALYSIS. We will discuss this at length IN CLASS today. You will want to take notes during the discussion.

REQUIRED LENGTH:
I do not believe in giving my students a specific page length or word count requirement. Part of being a successful writer is knowing how to address a prompt accurately and fully and knowing when to stop writing. I WILL suggest that it would be challenging to complete this assignment in less than at least three pages. Not impossible, but challenging.



***

English 5
Prof. Fraga

In preparation for viewing and analyzing Daughter from Danang

Purpose:
Just as reading fiction, non-fiction and poetry can aid in the development of a discriminatory, critical mind—and lead to critical writing and analysis in ANY area or topic—the viewing of films can elicit the same result.

A documentary film is a form that purports to report on the world as it exists.  The documentary filmmaker uses various well-known techniques taken from the world of news reporting:

  • reporting events as they happen,
  • recording interviews with participants, and
  • utilizing photographs and testimony of historical figures to portray past events.

Sometimes, the distinction between narrative and documentary has to be carefully drawn.

For example, occasionally actors are used to portray characters in historical documentaries such as Ken Burns’ Jazz, usually in voice-over.  On the other hand, narrative films will often borrow various documentary techniques:  Steve Soderberg in Traffic used hand-held cameras and a complicated interweaving of different stories to mimic a documentary “feel.”  Nevertheless, it is clear that Traffic is a narrative film, and Jazz is a documentary.

It is generally assumed that documentaries will not deliberately falsify a view of reality…however, it is true that inevitably the documentary will reflect the filmmaker’s point of view, resulting in some manipulation of the absolute truth.  The main way documentaries shape the story is through

  • choosing the interview subjects,
  • selecting certain shots and framing devices,
  • and most importantly by editing the material to support their vision as filmmakers.

To be sure, the director of a documentary may often attempt to show a balanced point of view by posing questions regarding a problem or by advancing various solutions.

But often a documentary will abandon such an attempt and use powerful evidence to advance a certain ideological argument, as in the classic Harlan County, USA, about a miners’ strike in Harlan County, Kentucky, in 1973.  Here, the miners’ side in the strike is presented through emotional interviews, songs, meetings, and events on the picket line, while what little we see of the owners’ point of view is presented in a negative light.  This kind of documentary that presents an argument is called a rhetorical form of documentary.

In evaluating a documentary it is important to understand what kind we are judging and thus what the filmmaker’s objectives are: 

  • Is the filmmaker trying to put forth his or her own point of view or attempting to show a balanced point of view? 
  • What techniques are being used to reveal the point of view? 
  • What methods are used to gather data? 
  • What are the criteria for choosing the people to be interviewed? 
  • What kind of shots are used to portray the subjects, and how does editing contribute to the ideological and emotional effect of the film?



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